Publications
current

Marinella Senatore
We Rise by Lifting Others
Publication to the exhibition from April to October 2023.
Ed. by Harald Krejci and Jürgen Tabor for the Generali Foundation Collection—Permanent Loan to the Museum der Moderne Salzburg, AT, and ed. by Michael Buhrs, Helena Pereña for Museum Villa Stuck, Munich, GER. Peface by Michael Buhrs and Harald Krejci. Texts by Théo-Mario Coppola, Chus Martínez, Helena Pereña, Nora Sternfeld, Jürgen Tabor.
How can art counteract the social division of our time? How can forms of community emerge in which equality, inclusion and empowerment are supporting pillars? The highly renowned Italian artist Marinella Senatore (Cava de’ Tirreni, IT, 1977–Rome, IT) grapples with these and similar questions. An activist and teacher, she is a leading protagonist of a young global movement committed to art that is based on social participation and collaboration. Nearly eight million people in twenty-four countries have hitherto taken part in her projects.
The Generali Foundation Collection—Permanent Loan to the Museum der Moderne Salzburg and Museum VILLA STUCK in Munich have compiled the largest exhibition of Senatore’s work to date as a project in two chapters. The shows provide an overview of Senatore’s oeuvre, with new productions and works from the past fifteen years: participatory installations, films, and audio plays that were made as collaborative projects, light installations, neon sculptures, photographs, drawings, collages, paintings, textile works, and new stagings of one of Senatore’s key projects, the School of Narrative Dance she founded.
In the accompanying catalog, international authors discuss Marinella Senatore's artistic approaches in relation to questions of alternative forms of organization and sociopolitical inclusion, as well as the transformative potential of art.
Archive

This World Is White No Longer

Hans Schabus
The Story of an Artist. Business Letters by Gordon Matta-Clark

The Physiognomy of Power.
Harun Farocki & Florentina Pakosta

Guttmann, Mayer, Weigand, Zobernig: DANKE
BEaUtIes OF ThE NiGHt: BITTE

+QUE 20 ANS APRÈS.
Gesammelte Wörter und Bilder
(Collected words and images)

Textiles
Open Letter

Ulrike Grossarth
Were I made of matter, I would color

A book about collecting and exhibiting conceptual art after conceptual art.
Twenty-five years Generali Foundation

Morgan Fisher
Writings

Morgan Fisher
Two Exhibitions

Animism
Modernity through the Looking Glass

unExhibit

Ana Torfs
Album/Tracks A+B

Behind the Fourth Wall:
Fictitious Lives – Lived Fictions

Danica Dakic

Modernism as a Ruin.
An Archaeology of the Present

Ree Morton
Works 1971-1977

Un Coup de Dés:
Writing Truned Image. An Alphabet of Pensive Language.

Ausstellungen
Generali Foundation
Exhibitions

Anna Oppermann
Ensembles 1968–1992

Exile of the Imaginary
Politics Aesthetics Love

Art After Conceptual Art

Edward Krasiński
Les mises en scéne

Cinema like never before

Alice Creischer, Andreas Siekmann. Occupying Space/Wasting Time

Gustav Metzger
History History

The New Europe.
Culture of Mixing and Politics of Representation

Theresa Hak Kyung Cha:
The Dream of the Audience

That bodies speak, we have also known that for a long time.* | Dass die Körper sprechen, auch das wissen wir seit langem.*

Occupying Space. Sammlung Generali Foundation Collection

Allan Sekula
Performance under Working Conditions

Geography
and the Politics of Mobility

Designs
for the Real World

Adrian Piper seit 1965: Metakunst und Kunstkritik
(since 1965: meta art and art criticism)

Violence is at the Margin of All Things:
Subject Relations, Political Militancy and Artistic Procedures

Hans Haacke: Mia san mia
(We Are Who We Are)

double life:
Identity and Transformation in Contemporary Art

Sanja Ivekovic
double-life, 1959-1975

Sanja Ivekovic
tragedy of a venus, 1975

shopping

vivências
life experience

RE-PLAY:
Anfänge internationaler Medienkunst in Österreich
(Beginnings of International Media Art in Austria)

Things we don't understand

Sammlung-Archiv-Kommunikation
(Collection-Archive-Communication)

Martha Rosler
Positionen in der Lebenswelt

Martha Rosler
Positions in the Life World

Mary Kelly
Post-Partum Document

Mary Kelly. Rereading
Post-Partum Document

Pichler
Prototypen 1966-69
(Prototypes 1966-69)

The making of

Isa Genzken
MetLife

Reorganizing Structure by Drawing Through it. Zeichnung bei (Drawing by) Gordon Matta-Clark

Educational Complex

Maria Eichhorn
Arbeit/Freizeit (Work/Leisure)

White Cube/Black Box.
Sculpture Collection. Lectures: Video, Installation, Film. Valie Export and Gordon Matta-Clark work show

Andrea Fraser. Report
EA-Generali Foundation

EA-Generali Foundation, Wiedner Hauptstraße 15/Frankenberggasse 9,
A-1040 Vienna

mixed doubles

Herwig Kempinger

C. Angelmaier
C.A.printOne/STATEMENTS

Jutta Koether: massen (masses)

Heimo Zobernig

Gerwald Rockenschaub

Evelyne Egerer
Isolation

VALIE EXPORT
Glass Papers

Hans Weigand
White Light / White Heat

Österreichische Skulptur: Sammlung Erste Allgemeine-Generali Foundation
(Austrian Sculpture: Erste Allgemeine-Generali Foundation Collection)

Ingeborg Strobl
Kunst und Künstlich
(Art and Artificial)

Robert Adrian X.
Picassos Eye

Martin Walde
Animal-Farm / Bremer Stadtmusikanten

EA · Generali Foundation
Sammlung Österreichische Skulptur (Austrian Sculpture Collection)
Contact
Sabine Stollberger, Head of Museum Shop Museum der Moderne Salzburg
P + 43 662 842220-401
F + 42 662 842220-700
shop@mdmsalzburg.at