Sun stop!

  • _B7A3308_Sonne_halt_MdM_Salzburg_2019 Exhibition view: Sun stop!, Museum der Moderne Salzburg © Generali Foundation Collection—Permanent Loan to the Museum der Moderne Salzburg, photo: Rainer Iglar
  • 01_Ausstellungsansicht_Sonne halt Exhibition view: Sun stop!, Museum der Moderne Salzburg © Generali Foundation Collection—Permanent Loan to the Museum der Moderne Salzburg, photo: Rainer Iglar
  • _B7A3313_Sonne_halt_MdM_Salzburg_2019 Exhibition view: Sun stop!, Museum der Moderne Salzburg © Generali Foundation Collection—Permanent Loan to the Museum der Moderne Salzburg, photo: Rainer Iglar
  • _B7A3317_Sonne_halt_MdM_Salzburg_2019 Exhibition view: Sun stop!, Museum der Moderne Salzburg © Generali Foundation Collection—Permanent Loan to the Museum der Moderne Salzburg, photo: Rainer Iglar
    From 04/06 to 11/07/2019
    Curator: Marijana Schneider, Museum der Moderne Salzburg

    Venue: Museum der Moderne Salzburg, Rupertinum, Generali Foundation Study Center

    The filmmaker, photographer, and painter Ferry Radax (1932, Vienna, AT) has been a central figure in the Austrian avant-garde cinema since the 1950s. Between 1959 and 1960 he shot Sonne halt! (Sun stop!), his most famous experimental film. The poet and writer Konrad Bayer (1932–1964 Vienna, AT) played a particularly important role in its conception, acting as a performer, co-author, and narrator of passages from his novel der sechste sinn (the sixth sense).

    Based on Radax’s experiment with Sonne halt!, “to find the most perfect synthesis of spoken literature and film in its symbolic form,” the exhibition is also dedicated to the manner in which Bayer’s other texts resonate in his following films. The two artists met in Vienna during the 1950s, when the Wiener Gruppe (Vienna Group, 1954–1964) was formed there. The literary works and actions of its main protagonists are considered to be the most important achievements of the Austrian post-war avant-garde.

    Radax was awarded the 2007 Otto-Breicha-Preis für Fotokunst (Otto Breicha Prize for Art Photography), with an accompanying exhibition at the Museum der Moderne Salzburg in the Rupertinum building. In the presentation, his films with references to Bayer and the photographic work relating to the film Sonne halt! from the museum’s collection were on display. The exhibition on level [3] was supplemented by material from Radax’s archive, texts by Bayer, and publications on the Wiener Gruppe from the inventory of the Generali Foundation Study Center.